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The Fellowship is open to: Rotary – Rotaract – Interact – Inner Wheel |
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Its aims are:
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We trust that our project will succeed in promoting both knowledge
and love for old books, while creating a pool of information accessible
to all Rotarian bibliophiles, among which we have the pleasure of
mentioning the Present President Bill Boyd, who quite recently declared
to belong to a family of book lovers. We also hope that the use
of internet will help overcoming the well-known lending reluctance
that affects most bibliophiles, a diffidence which was well expressed
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Culture in the Rotary Clubs to the advancement of society
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Allow me to start a conversation on antique books with this selfevident truth:” None of us would be what we are had our forefathers not possessed the instrument that enabled them to hand down to us the knowledge of what they were and did!” Generation after generation, even the most distant in time, have left their imprints on the planet. Prehistoric man was a person like any of us, complete with his own complex inner self; and yet he could but carry such “human” heritage to his grave, because, deprived as he was of a writing system, he was unable to give it permanence. Indeed, it is writing that marks the discrimination between documented fact and Prehistory The road to the development of writing was long and even now is partly undiscovered: probably the process involved the gradual representation of reality, together with all its relative concepts, in a more and more abstract manner, by means of pictograms and ideograms, following models employed in Egypt and in the modern Far East. In time, such signs must have acquired a phonetic value to replace the conceptual one, becoming, within the Mediterranean area, proper alphabet letters, through the composition of which, it was discovered one could create an infinite number of words to cover the endless demands of factual life. In fact, the “invention” of our writing system is attributed to the Phoenicians, a nation given to commerce. Nevertheless, beside a durable mode of transmission of thought (the alphabet), it was imperative to find a solid material to imprint, i.e. writing material. Nature offered stone, and later metals. During an archaic stage, the inner part of bark was used, which in Latin was called “liber”. But it was undoubtedly the Egyptian papyrus that emerged as the writing material more apt to have a durable employment, not least due to the Rare Antique Books and Prints ductility and resistance provided by strips made by intertwining the fibres from the stems of this plant, which grew plentiful on the banks of the Nile. Such strips could easily be rolled on and off a wooden pivot, forming a scroll called “volumen” from the Latin verb “volvere”, meaning rolling. The intensive exploitation of the papyrus plantations and the difficulties in procuring it promoted the usage of a different type of writing material, which had been invented and used for centuries in the town of Pergamum, i.e. parchment or vellum (pergamena). It consisted of the skin of a young animal (lamb, goat or calf), duly prepared, smoothed out and cut in sheets, which were then sewn together to produce a series of pages, thus representing the prototype of the modern book format. Out of each single animal one could obtain about four parchment sheets; consequently, in order to copy a Bible, it would have been necessary to sacrifice a whole herd. This also explains why books were, during the whole length of the Middle Ages, extremely precious and rare objects, mainly produced in monasteries, where flocks of sheep and herds of cattle were abundant. The rarity and preciousness of books demanded their being ornamented by polychrome decorations of considerable artistic level; hence, the art of miniature illumination, cultivated for centuries within the medieval scriptoria. In fact, following the fall of the Roman Empire, illumination was for centuries the only form of pictorial art cultivated in the Western world. Working conditions in a monastic scriptorium must have been dire. Freezing in winter, scorching in summer, tall and very hard desks, lack of any form of enlargement tools, and the necessity of self producing the ingredients needed for the job – colours made out of herbs and flowers, ink out of soot, or even gold and silver, brushes from the hair of animal hides and bird feathers to write with – all of which meant rigidly disciplined amanuenses, whose endeavours produced such great masterpieces. For centuries, the making of books went on by these methods
until, around the middle of the 15th century, something occurred
that would change the destiny of mankind: the introduction of the
printing press by Johann Gutenberg. In the region surrounding
Mainz, presses had been used for centuries, both to press grapes
and house-linen. What Gutenberg envisaged was the possibility of
an innovative application of the press to his own true great invention:
the movable types. By pouring an alloy of molten metals into
special moulds, he was able to obtain the different letters of the alphabet,
which would then be assembled and disassembled to form
words. Later, by putting the stencils obtained by such process under
the press, it became possible to print the text upon a sheet of
paper or vellum. By then, paper made, according to the Chinese
technique, out of rags had become of common usage in Europe.
The impact of the new technique represented a true revolution,
since it made it possible to produce books in large numbers – the
new concept of edition – at much lower costs compared with the
medieval manuscript. The greater circulation of books was the answer
to the increased demand for education of the period, and was
the vehicle of Humanism in Europe, together with Renaissance,
the protestant Reformation and, along those lines of Enlightenment
and of all the vast and articulated ideas which characterize
the world we live in. The following centuries saw a growing
and better development of the printing methods until mechanical
printing machinery was replaced by digital computerized technology.
Thus we come to our epoch, beyond the fateful year 1830,
which is indicated by the world competent organizations (IFLA =
International Federation of Librarian Association) as the discriminating
date between antique and modern books.
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